Monday, April 14, 2025

Testament of Youth, by Vera Brittain

I started Testament of Youth back in January, just after I finished Voyage Along the Horizon. I tore through nearly 200 pages of in a few days but then I lost momentum and ended up not reading it at all for long stretches and starting various other books, a couple of which I've since finished. I finally went back to Testament of Youth about a week ago with more than 200 pages left to go and I tore through those last 200 pages almost as quickly as I did the first. 

I think it was reading Stefan Zweig's memior that inspired me to read Vera Brittain's. I wanted to read more about the World War I era from the perspective of someone who lived through it. I realized also that – for some time now – I've been more interested in memoirs that fiction.

Testament of Youth is largely a memoir of Brittain's experience as a V.A.D. nurse during World War I, but the book covers a much longer period of time than I expected. Brittain spends some time on her youth and relationships before the war, and the post war section goes on for more than a couple hundred pages and covers her life all the way up to 1925. Roughly, the book covers five eras of Brittain's life (1) Childhood; (2) Oxford; (3) V.A.D. work; (4) Return to Oxford; (5) After Oxford, though the V.A.D. work  could certainly be subdivided between time in the U.K., time in Malta, time in France, and time back in the U.K. In any case, the last section – Brittain's life after graduating from Oxford – is freshest in my mind, that being the part I read in the last few days. It almost feels like it should be a separate book. I found the work that Brittain was doing after Oxford very interesting. In this period, she became active with the League of Nations Union and in politics. She was a frequent public speaker and a journalist. She made a few trips to the continent, of which the book had fascinating but rather brief accounts. (I loved reading about her time in Italy and would have read even more!) But the narrative in the book, when it got to this stage, started to feel quite messy. It jumped around in time, making the sequence of events hard to follow. In a way, this end – drawn out as it was – seemed an afterthought to the great narrative of the wartime. 

This book must have taken quite a lot of effort to compose. Throughout, Brittain quotes and cites letters and communications she sent and received, which must have been recovered and compiled in a great work of indexing. I was put truly in awe of the wartime postal service. Some time ago I read or heard somewhere that in the early days of postal service, mail deliveries might come as often as four times per day. I realize modern times don't demand such frequent mail service (when I look at the physical mail I receive, I could do without nearly all of it), but it's hard not to feel we've taken a step backward in this regard. (The feeling is like when you see a train map from a century ago and realize how much better served the world was by trains then compared to now.) In any case, as person who travels to Italy once or twice a year and sends several postcards from there when I go, I get a certain pleasure in observing how hilariously long it takes for those cards to reach their destinations. What a marvel, then, to read about Vera Brittain and her brother, stationed in the mountains outside Bassano, sending and receiving mail and packages in the midst of the war. But now I have veered off topic.

I'm so glad I went back and finished Testament of Youth. I'm not sure why I stopped to begin with. I thought, after reading this, I might double down in a way and go right into reading Rebecca West's Black Lamb and Grey Falcon, a book twice as long covering a somewhat later period in Eastern Europe, because Rebecca West comes up in the background of Testament of Youth now and then. But I think I'll wait a moment. In the meantime, I've started a reread of George Gissing's By the Ionian Sea because Gissing too was somehow ringing in the back of my mind while reading Testament of Youth

Sunday, April 6, 2025

The Night Guest, by Hildur Knútsdóttir

I have three other books that I've been moving through slowly these last two months, but I set them all aside to read the next book for my book club, The Night Guest by Hildur Knútsdóttir. I was a little terrified to read it. At McNally Jackson, where I got my copy, it was shelved in the Horror section. The headline on Bookshop.org says, "Hildur Knútsdóttir's The Night Guest is an eerie and ensnaring story set in contemporary Reykjavík that’s sure to keep you awake at night," and all the blurbs seemed to express a similar feeling. I don't enjoy being scared. My tolerance for horror movies is pretty much nonexistent. I get nightmares. I spent a long time last night in conversation with a friend trying to remember any scary book I had read. For a while, the only thing I could come up with that might fit the horror genre was Frankenstein, but scrolling through my StoryGraph read books I got to China Miéville's The Scar and remembered reading Perdido Street Station, without a doubt the scariest book I've ever read (though I did like it, actually).  

So, with a sense of dread, I waited until I had a free day when I could start it in the morning and finish it well before bedtime. As it turned out, it only took about 2 hours to read. It's 194 pages divided into about 100 chapters, several of which are one short sentence long. There's a lot of blank space in this book. Which, now that I think about it, correlates nicely with the story. The Night Guest is narrated by a woman find herself waking up bruised and exhausted each morning after what she believes to have been a full night's sleep, and seeks to uncover the mystery of her nighttime activities. I realized quite early that the horror in The Night Guest is not the kind of horror that scares me. I've given a fair amount of thought to what type of horror most scares me, though I've never quite pinpointed it. Having thought about it a little more today, I can confidently say that I find external horror a lot scarier than internal horror, a distinction I'd never particularly thought about before.

The book I found myself thinking about as I read The Night Guest was Justine, which now that I think about it, is something of a horror (internal horror) novel itself. In fact, Justine left me feeling quite shaken, in a good – or at least a powerful – way. I breezed through The Night Guest. It's a compelling read, if a bit slight. Maybe I should be relieved.