Monday, December 9, 2019

Villa Triste, by Patrick Modiano

I'm terrible about reading when I travel. And yet, I always think I might want to read while I'm traveling, so I never go anywhere without a book. Often, I bring multiple books with me and I don't read even a page. And then I'm also in the habit of buying books when I travel, which only makes the situation worse. I'm just back from a trip to Italy, on which I brought with me 5 books. One of these was a guidebook and three were books about Venice, where I spent 4 days during my trip. The latter were John Ruskin's The Stones of Venice, Italo Calvino's Invisible Cities, and a book I picked up in London called Rilke's Venice, that is part biography of Rilke and part guide to Venice. But even with all this reading material I worried that it wouldn't be the right reading material. I wanted what I thought of as a "normal" book, in case I found myself in the mood to just read (rather than to read with purpose, which seemed the demand of all my other reading material). So, at the last minute, I threw a very water damaged edition of Patrick Modiano's Villa Triste in my bag. I selected this book mainly because of the water damage -- it arrived for me in the mail in July on one of those days when it just poured rain and it was soaked through when I retrieved it from my mailbox. I figured I could just leave it behind somewhere if I finished it; perhaps even if I didn't. But, as it turned out, I started it the day before I left and I carried it all the way back home with me. I read it for nearly the whole two-and-a-half hour train trip from Venice to Milan. I finished it on my flight home from Milan the following day. I considered leaving it on the plane, but didn't want to give the cabin crew another thing to clean up. And so I brought it home, where I have put it in the paper recycling, though I've taken it out twice since doing so. It's not so easy for me to part with even a very water damaged book, apparently. I did leave one book behind in Italy: I donated my Time Out guide to Venice to my wonderful hotel's collection of guidebooks because they didn't have that one yet. But I also picked up two books in Italy, an Italian edition of Italo Calvino's Le Città Invisibili and a large hardback book about amari.

This is the second Modiano book I've read this year and I've loved them both. I had had him on my mental to-read list for quite a while, but only got around to him this year when I found myself with a couple of his books. Like Missing Person, which I read in May, Villa Triste is infused with the most intense feeling of nostalgia. It takes place mostly in the early 60s in an Haute-Savoie summer resort town. The 18-year-old narrator is hiding from something and has invented a name and a glamorous past for himself and he falls in with two locals who have to a greater or lesser extent escaped their provincial roots. They are all playing parts. The present-day of the book is actually 10 years after the main events take place, when the town has completely faded and the resorts all closed. The narrator's faded memory and pieced together recollections are what gives the book its nostalgic, melancholic quality. You also sense there is a greater story behind each of the characters, which you only get to glimpse here and there.

Two side notes:
  • Like Missing Person, this book also contained a passing reference to the Place Malesherbes. I saw it and thought, "Again?!" In fact, first I thought, "Didn't I read another book that referenced that street this year?" And then I realized it was the other Modiano book. 
  • I read this entire book while listening to Brian Eno's Music for Films on repeat (on noise-cancelling headphones, to drown out background noise on the train and plane), which I feel added some additional unintended (perhaps filmic?) quality to my experience of the text. It seemed to go together, but of course I can't know what the reading experience would have been otherwise. 
In any case, I'm very glad I got around to Modiano this year. I look forward to reading more.