Saturday, November 27, 2021

Offshore, by Penelope Fitzgerald

Penelope Fitzgerald is a writer who has been on my radar for close to 25 years, but this is the first book I’ve read of hers. I remember in the late 1990s when I worked in a bookstore she was getting a lot of attention for The Blue Flower and The Bookshop and I think at one point I owned a copy of each, but I never did read them. As I’ve gotten older, I’ve felt a particular appreciation for writers who only gained recognition late in life — it gives one some hope. Along with Jose Saramago, Penelope Fitzgerald must be a prime example of this type. Offshore, published in 1979 when Fitzgerald was 63, qualifies as an early work of hers.

I am still in Oakland with the kitten. Offshore is not one of the books I brought with me to read. On Wednesday I went into San Francisco to meet a friend and I stopped by a thrift store in the Mission where I’ve always had good luck finding books. (I remember specifically that it’s where I bought Kinshu: Autumn Brocade several years ago, a book I’d never heard of but ended up loving. I got it on the visit here where I decided to undertake my world books reading project, and it was the first Japanese novel I read.) The shop had three Penelope Fitzgerald books, none of which I’d heard of, and I considered grabbing all of them (they were slim and wouldn’t add much weight, I reasoned), but I decided to get just one and narrowed it down to Offshore because — as is stated on the cover — it was the winner of the Booker Prize. 

Offshore is set in a small community of barge-dwellers on the Thames in the early 1960s. Each one is an outsider in their own way — a woman living apart from her husband with her two daughters who’ve stopped going to school; an elderly maritime painter whose own barge is beyond repair; a male prostitute who always has a sympathetic ear; a former Naval officer from the war who  doesn’t want to give up ship life though his wife does; a muddy cat who’s chased by the rats. the book is small, but beautifully shows how this odd little community comes together, and falls apart — along with their boats.