The author of Absence is an acquaintance from the internet. I'm not sure I would have heard about it otherwise – I'm not very up on new books these days. There was a book event here in Brooklyn, so I went and I got my copy of the book there. This was the same book event where I picked up The Old Man by the Sea and I started Absence just after finishing that book. (I might have read it first, except that it's a somewhat bulky hardcover and with my travel plans I preferred a slim paperback.) I heard the first two chapters at the event, so it was as if I had already started it.
Absence is about sort of a slow apocalypse. The sudden and unpredictable disappearance of people over a period of years, resulting in an ever-diminishing global population, and everything that might entail. It was fun to read what Hudson imagined might happen in this circumstance: some positive changes, some ambiguous, some predictably bad outcomes. I was also really impressed with the way the book handled the uncertainty of the conflicting potential truths in the story. I feel like the conclusion could have been very unsatisfying, but it wasn't.
Perhaps because I had heard the author in discussion talking about writing this book, I found myself paying a lot of attention to the structure – at least, more than I usually do. I'm more likely to focus on language when it comes to writing craft, but the structure of Absence really impressed me. It has more than 100 chapters, across several sections – most of which encompass one day. Part of the book includes a woven narrative of past and present, which I think is when I first noticed the structure. The narrative about the past was brought in to give the reader some background on the narrator, and when you got everything you needed to know, it ended – but it was so seamless, I couldn't tell you when it returned to being just the single, present narrative.
Absence is a fast-paced book. I tore through the latter two-thirds of it in just a couple days. I would have finished it much sooner if not for the fact that, on whim inspired by the same Discord group where I'm connected to the author, I decided to experiment with the novelty of requesting holds from the library.
I'm an enthusiastic supporter of libraries in theory – and an annual donor to both the New York and Brooklyn Public Library, but I rarely actually use the library in practice. Several of my online friends were talking about putting a hold on the new Ann Leckie book, Radiant Star and I thought, I should do that! So I did. And while I was at it, I also put a hold on the first Murderbot book, All Systems Red, because I'd been curious about the books. I enjoyed the TV show and people said the books were fun, and fun was what I was in the mood for. My hold came in within just a couple days and – magic! – I could just walk over to my nearest branch and grab it off the shelf and take it home with me.I was a little worried the fact that I had watched the TV show would spoil the book. Maybe it did a little (though also the TV show took a turn that wasn't in the book, or at least as I recall it), but I am a completist by nature and I didn't want to start the series anywhere but book one. I also wanted to see if I enjoyed the book as a reading experience. I did! I'm not going to put the next one on hold jut yet because I have some travel over the next few weeks, but I look forward to reading it when I'm back. Libraries: what a concept!

